Painting Through the Blur
Claude Monet spent the last three decades of his life painting water lilies in his garden at Giverny, France. What many people don't realize is that during much of that period, cataracts were slowly stealing his sight. Colors shifted and muddied. Edges dissolved. The world he had spent a lifetime studying became increasingly difficult to see.
But Monet kept painting.
His later canvases grew larger, bolder, more luminous. Art historians observe that as his physical vision dimmed, something deeper seemed to emerge — an inner perception of light and form that went beyond what his failing eyes could register. Some of his most beloved works, the massive panels now displayed in the Musée de l'Orangerie in Paris, came from these years of diminished sight.
Hebrews 11:1 tells us that faith is "the substance of things hoped for, the evidence of things not seen." Faith does not require perfect vision. It often deepens precisely when our ability to see clearly falters — when the diagnosis is uncertain, when the path forward blurs, when the answers we once held so confidently dissolve at the edges.
Like Monet at his easel, we are invited to keep painting — to keep trusting, keep creating, keep leaning into the light we cannot fully see but somehow know is there. The masterpiece God is making of your life does not depend on your ability to see the whole canvas. It depends on the One who is the Light itself.
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